‘As it was in the beginning’: organ and choir pitch in early Anglican church music
Identifieur interne : 000180 ( Main/Exploration ); précédent : 000179; suivant : 000181‘As it was in the beginning’: organ and choir pitch in early Anglican church music
Auteurs : Andrew JohnstoneSource :
- Early Music [ 0306-1078 ] ; 2003.
English descriptors
- Entity :
- org : Antique and Reproduction Instruments Telephone, Early Keyboard Agency, Harley Foundation Technical Report, National Early Music Association of the United Kingdom, Request Quality Instruments Required for Prospective Purchasers Hit Fine Harpsichords, Research Fellow, Switzerland TEL.
- pers : A. Brown, A. Ellis, A. M. Richardson, A. Mendel, A. Ramsbotham, Add, Adrian Batten, Alberto Guerra, Alexander Ellis, Anthony Duddyngton, Antonio Politano, Aristide Cavaill, Arthur Mendel, B. Clark, B. Haynes, B. Meier, Bernard Smith, C. H. Stewart, C. Monson, Charles Padgham, Christopher Clarke, Christopher Shrider, D. Wulstan, DAY Saturday, David Wulstan, Dominic Gwynn, Donald Burrows, E. F. Rimbault, E. H. Fellowes, E. J. Hopkins, Edmund Fellowes, Edward Hopkins, Ellis, Eric Finch, F. E. Robertson, Florence Getreau, Frederick Gore, G. A. Audsley, G. C. Martin, G. Hendrie, Geoffrey Webber, George Loosemore, H. Benham, H. C. Thompson, H. Helmholtz, HarL, Hari, Hermann Helmholtz, Hugh Benham, I. Spink, Ian Spink, J. Barnard, J. Imray, J. J. K. Rhodes, J. Lancelot, J. Morehen, Jacqueline Waeber, James Turle, Jean-Claude Battault, Jean-Francois Madeuf, Jean-Jacques Eigeldtnger, John Bull, John Caldwell, John Ch, John Harper, John Howe, John Sayer, La Robert, Lausanne Exhibition, Lausanne Musee, Luc Breton, M. Goetze, M. Mersenne, Magdalen College, Magnus Williamson, Marco Teston, Margot Leigh, Mark Duleyfor, Mark Windisch, Martin Goetze, Mersenne, Michael Latcham, N. Plumley, Nathaniel Tomkins, P. C. Buck, P. Phillips, P. R. W. Blewett, Philip Armes, Philip Thorby, Pierre Goy, Played, Preston Road, R. Bowers, R. Hird, R. Stewart, R. Turbet, Rafael Puyana, Renatus Harris, Restoration, Richard Farrant, Robert Dallam, Robert Parsons, Roger Bowers, S. Beebe, S. Bicknell, Selene Mills, Stephen Rose, Suzanne Witti, Tenbury, Thomas Dallam, Thomas Hill, Thomas Tomkins, Thomas Tudway, Thomas Weelkes, Tomkins, Townsend Warner, Trinity Church, Trinity College, W. R. Thomas, William Boyce, William Byrd, William Jurgenson.
- place : Bad Prinz, Cambridge, Coventry, Dublin, Durham, England, Exeter, Glasgow, Houston, Jordan, London, Northamptonshire, St Columba, St James, St Nicholas, St Patrick, Stanford, UK, Worcester, York.
- Teeft :
- Actual length, Addendum, Anthem, Avon, Avon pipe, Bass part, Bicknell, Bios journal, Bodleian library, British library, Chapel royal, Chapter library, Choir, Choir pitch, Choir transposition, Church music, Diapason, Different pitch standard, Dominic, Dominic gwynn, Durham, Durham cathedral, Durham cathedral organ, Early anglican church music, Early english organ project, Early music, Early music november, Early tudor organ music, Elli, English madrigal composer, English organ, English organist, English transposing organ, Equal temperament, Exact description, Foot long, Further evidence, Gamut proper, Goetze, Good reason, Gwynn, Half foot long, High pitch, High service, High tessitura, Holy trinity, Irregular transposition, Martin goetze, Medium pitch, Minor third, Modern interpretation, Modern pitch, Musical evidence, Musical pitch, Nathaniel letter, Nominal length, Nominal pipe length, Note nomenclature, November, Octave, Octave lower, Open diapason, Open pipe, Organ, Organ accompaniment, Organ book, Organ builder, Organ part, Organ pipe, Organ pitch, Organ yearbook, Organica, Organist, Original notation, Par organica, Performance practice, Pipe length, Pitch, Pitch standard, Plainchant organ, Practical treatise, Principal pipe, Restoration cathedral music, Same standard, Second mode, Semitone, Semitone lower, Semitone sharper, Stanford, Terminal chord, Thomas musica, Thomas tomkins, Thomas weelkes, Tomkins, Tone higher, Transposing, Transposing instrument, Transposing organ, Transposing system, Transposition, Treble, Treble service, Tudor music, Usual transposition, Verse service, Voice part, Western music, Wetheringsett, Wetheringsett organ, Wetheringsett soundboard, Worcester cathedral, Wulstan.
Url:
DOI: 10.1093/earlyj/XXXI.4.506
Affiliations:
Links toward previous steps (curation, corpus...)
Le document en format XML
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<term>Request Quality Instruments Required for Prospective Purchasers Hit Fine Harpsichords</term>
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<term>Anthony Duddyngton</term>
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<term>Bernard Smith</term>
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<term>Christopher Shrider</term>
<term>D. Wulstan</term>
<term>DAY Saturday</term>
<term>David Wulstan</term>
<term>Dominic Gwynn</term>
<term>Donald Burrows</term>
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<term>P. Phillips</term>
<term>P. R. W. Blewett</term>
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<term>Philip Thorby</term>
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<term>Played</term>
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<term>R. Hird</term>
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<term>R. Turbet</term>
<term>Rafael Puyana</term>
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<term>Richard Farrant</term>
<term>Robert Dallam</term>
<term>Robert Parsons</term>
<term>Roger Bowers</term>
<term>S. Beebe</term>
<term>S. Bicknell</term>
<term>Selene Mills</term>
<term>Stephen Rose</term>
<term>Suzanne Witti</term>
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<term>Thomas Dallam</term>
<term>Thomas Hill</term>
<term>Thomas Tomkins</term>
<term>Thomas Tudway</term>
<term>Thomas Weelkes</term>
<term>Tomkins</term>
<term>Townsend Warner</term>
<term>Trinity Church</term>
<term>Trinity College</term>
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<term>William Byrd</term>
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<term>Worcester</term>
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<term>Addendum</term>
<term>Anthem</term>
<term>Avon</term>
<term>Avon pipe</term>
<term>Bass part</term>
<term>Bicknell</term>
<term>Bios journal</term>
<term>Bodleian library</term>
<term>British library</term>
<term>Chapel royal</term>
<term>Chapter library</term>
<term>Choir</term>
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<term>Diapason</term>
<term>Different pitch standard</term>
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<term>Dominic gwynn</term>
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<term>Durham cathedral</term>
<term>Durham cathedral organ</term>
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<term>Early english organ project</term>
<term>Early music</term>
<term>Early music november</term>
<term>Early tudor organ music</term>
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<term>English madrigal composer</term>
<term>English organ</term>
<term>English organist</term>
<term>English transposing organ</term>
<term>Equal temperament</term>
<term>Exact description</term>
<term>Foot long</term>
<term>Further evidence</term>
<term>Gamut proper</term>
<term>Goetze</term>
<term>Good reason</term>
<term>Gwynn</term>
<term>Half foot long</term>
<term>High pitch</term>
<term>High service</term>
<term>High tessitura</term>
<term>Holy trinity</term>
<term>Irregular transposition</term>
<term>Martin goetze</term>
<term>Medium pitch</term>
<term>Minor third</term>
<term>Modern interpretation</term>
<term>Modern pitch</term>
<term>Musical evidence</term>
<term>Musical pitch</term>
<term>Nathaniel letter</term>
<term>Nominal length</term>
<term>Nominal pipe length</term>
<term>Note nomenclature</term>
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<term>Octave</term>
<term>Octave lower</term>
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<term>Open pipe</term>
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<term>Organ accompaniment</term>
<term>Organ book</term>
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<term>Organ part</term>
<term>Organ pipe</term>
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<term>Par organica</term>
<term>Performance practice</term>
<term>Pipe length</term>
<term>Pitch</term>
<term>Pitch standard</term>
<term>Plainchant organ</term>
<term>Practical treatise</term>
<term>Principal pipe</term>
<term>Restoration cathedral music</term>
<term>Same standard</term>
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<term>Semitone sharper</term>
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<term>Terminal chord</term>
<term>Thomas musica</term>
<term>Thomas tomkins</term>
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<term>Tone higher</term>
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<term>Transposition</term>
<term>Treble</term>
<term>Treble service</term>
<term>Tudor music</term>
<term>Usual transposition</term>
<term>Verse service</term>
<term>Voice part</term>
<term>Western music</term>
<term>Wetheringsett</term>
<term>Wetheringsett organ</term>
<term>Wetheringsett soundboard</term>
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